(Above: Shawn Colvin, left, and Steve Earle emplore listeners to “Tell Moses.”)
By Joel Francis
The Daily Record
With all the smiles, stories and strumming, Steve Earle and Shawn Colvin’s performance Wednesday night at the Kauffman Center seemed like very upscale busking.
The two artists stood on an all-black stage adorned with four monitors, one table, four guitars and two mandolins.
The concept was as straightforward as the setup. Over the course of 100 minutes, the pair performed ever song from their new collaboration, “Colvin and Earle” and scattered a couple of their own hits for good measure.
Despite nearly two dozen albums to their names, cover songs dominiated the setlist.
Earle introduced the Rolling Stones’ “Ruby Tuesday” by saying he learned how to play tennis racket to that song in front of a mirror. The spare arrangement brought Mick Jagger’s haunting lyrics to the forefront, particularly lines like “catch your dreams before they slip away.”
Other standout covers included Emmylou Harris’ “Raise the Dead” and the oft-recorded “Tobacco Road.” A laidback, almost effortless cover of “Wake Up Little Suzy” opened the night.
Before “Someday,” Earle told a long story, recapping his days as a Nashville songwriter trying to get a record deal, then fighting to get another when his debut single disappointed everyone. A friend took him to see Bruce Springsteen and the E Street Band on the “Born in the U.S.A.” tour, where Earle found inspiration to write his “Guitar Town” album. After success proved to be more of a struggle than failure, Earle fell into a spiral of drugs, only poking his head out of the darkness long enough to hear Harris recorded “Guitar Town” and Colvin cut “Someday.”
Despite a lack of drums (or band), the version of “Someday” that followed punched as hard as a metal band going full throttle.
Colvin bragged about all her depressing breakup songs, saying “I’ve known fans who won’t take their Prozac for a week before I come to town.” She backed up her words with her biggest hit, “Sonny Came Home,” and “Diamond in the Rough.” While most songs found Colvin and Earle playing off each other vocally, “Diamond” featured a long outro that saw the pair spar musically.
The auditorium was about two-thirds full, and needed little prompting to join in on Earle’s buoyant, mandolin-fueled “The Galway Girl.” The singing and clapping encouraged during “Tell Moses,” a new song, felt like an hootenanny.
After returning to the stage with a Beatles number, the pair closed the night with Earle’s biggest hit, “Copperhead Road.” Colvin got the chance to show off her guitar chops again on that one. With Earle playing mandolin, she had to provide all the song’s musical muscle.
Judging by the lines at the merchandise table afterward, it was more than enough to convince fans into throwing some more change in the hat on the way out.
Setlist: Wake Up Little Susie; Come What May; You Were On My Mind; Raise the Dead; Ruby Tuesday; Tobacco Road; That Don’t Worry Me Now; Someday; The Way That We Do; You’re Right (I’m Wrong); Burnin’ It Down; Sunny Came Home; The Galway Girl; Happy and Free; Tell Moses; You’re Still Gone. Encore: Baby’s In Black; Diamond in the Rough; Copperhead Road.