
By Joel Francis
The Daily Record
We at The Daily Record try to play clean in our tiny corner of the interweb. Once a year, on “music’s biggest night” the gloves come off and the snark comes out. This year, we present a live diary of the 62nd Annual Grammy Awards. We’ll be doing this live throughout the telecast, so keep checking back.
7:01 – Lady Gaga opens the show in a dress she bought at Bjork’s garage sale.
7:02 – She forgot to buy the pants, though.
7:04 – At last, Elton John has found someone with more flamboyant taste in eye wear. Wonder how that feels.
7:11 – Stephen Colbert may have already delivered the line of the night. Re: Susan Boyle selling the most records of ’09 and saving the bottom line – “You may think you’re the coolest people in the world, but just remember that your industry was saved by a Scottish woman in sensible shoes.”
7:13 – Beyonce wins “Song of the Year” but can’t make it onstage to accept the award. Why not have it received by the Chippettes, stars of the year’s best film “Alvin and the Chipmunks: The Squeakquel”? Now that’s synergy!
7:15 – Who the hell thought it was a good idea to turn “American Idiot” into a musical? I can hear this one flopping faster than Twyla Tharpe’s tribute to Bob Dylan. Forget “Movin’ Out,” how about moving on?
7:16 – Nothing screams “punk rock” louder than a Broadway chorus. Even the Clash buried their choral version of “Career Opportunities” on the last side of “Sandinista.”
7:24 – I can’t figure out which interests me less Kirsten Bell’s insipid new movie “When In Rome” or what song Bon Jovi will play tonight. Let me guess: a really lame one from the ’80s.
7:26 – Does Taylor Swift have a clause in her contract that she must win every award for which she is nominated? Has she ever lost?
7:27 – I’m a little disappointed Kayne West didn’t jump onstage and start talking about how great Keith Urban is.
7:28 – Hey, Beyonce brought the S1W’s with her. Nice to see her kicking it old school.
7:29 – (The S1Ws were the black panther dancers who guard the stage during Public Enemy performances.)
7:32 – Nothing screams 2010 like Alanis Morrissette songs. On to the next one.
7:37 – Questlove just tweeted “must admit that watching twitter tweets are better than watching the actual event.”
7:41 – Pink is wearing the sexiest berka of all time.
7:44 – Nothing screams “class” like a chick in a g-string spraying water everywhere. Pink is so talented!
7:45 – Between Pink and GaGa that’s four butt-cheeks bared tonight. Just wait until Howard Stern and Prince come out.
7:47 – I’m not sure who the Zac Brown are, but respect the fact that they didn’t get all gussied up for the show.
7:48 – I’m also glad none of them were wearing a g-string.
7:55 – Will.I.Am looks like Mr. Roboto from that Styx album.
7:56 – Fergie looks like someone from either Buck Rogers or the original Battlestar Galatca. Does anyone else remember when Channel 62 used to show all those back-to-back on Saturday afternoons?
7:58 – I gotta admit that watching the Peas do “I Got A Feeling” in concert would probably be a lot of fun. That song got a lot more infectious energy than it deserved.
8:00 – OK, so we’re an hour into this thing and a couple ground rules have already been established. No. 1, no one can perform a song all the way through. Medleys only, please. No. 2, all performance must somehow make their way from the main stage to the satellite stage, and back.
8:01 – They keep advertising the 3-D Michael Jackson tribute with Celine Dion. That woman’s so skinny, I bet even in 3D she’s only 2D.
8:06 – Who the heck are Lady Antebellum?
8:07 – I knew it would happen. People are starting to compose songs for those episode-capping montages. This Lady Antebellum song would be perfect over the poignant closing moments of “Grey’s Anatomy.”
8:09 – The presenter just said there was a Grammy category for artists who don’t have musical talent. Wait, there’s a Grammy for people with musical talent? When are they going to give that one out. Oh yeah, it was done earlier in the day in the parking lot behind the Ross downtown.
8:11 – I bet Stephen Colbert’s daughter thinks her dad is cool now that he’s one a Grammy.
8:12 – Oh, just as I blogged the above Colbert asked his daughter if she thought he was cool now. I am so freaking prescient!! (She said yes, by the way.)
8:13 – The Target ad just showed a white dog with a red spot of his eye. Spuds McKenzie lives!
8:14 – OK, that’s three exclamation points in the past two entries. I’m calming down now.
8:18 – Wow, Taylor Swift was up for “Song of the Year” and she didn’t win. I bet she gets at least half an album’s worth of songs of out how she’s feeling right now.
8:20 – They just introduced Robert Downey, Jr. as the most “self-important” actor of his day. How out of control is your ego when you’re crowned most “self-important” in Hollywood?
8:21 – That operatic introduction to “Blame It” was brilliant. Every time I hear this song I remember that Stevie Wonder stopped his show at Starlight last summer to play it over the PA.
8:23 – If they hadn’t just shown George Clinton in the audience, I would have sworn he was the white-haired conductor onstage.
8:24 – I think “Blame It” is starting to suffer from auto-tune overload. It sounds like Kraftwerk.
8:25 – Now Slash is onstage playing the guitar solo from “November Rain.” He probably just heard someone talking about alcohol and bum rushed.
8:27 – Joe Posnanski just tweeted: “They really had people VOTE to determine what Jon Bon Jovi sings at the Grammys? Was there a ‘What’s the difference’ option?”
8:33 – Hey, Green Day won “Best Rock Album” for their follow-up to “American Idiot.” Can’t wait until that gets turned into a Broadway musical.
8:34 – Chris O’Donnell looks like McSteamy on “Grey’s Anatomy.” I hate myself for knowing this.
8:36 – Wow, a “country” band singing a patriotic song. Way to think outside the box, guys.
8:37 – Answer: Leon Russell with the Zac Brown Band. Question: Who will be headlining Knucklehead’s Labor Day celebration in 2012?
8:38 – Are the red-staters happy that the Zac Brown Band is celebrating America by playing a patriotic number, or upset with them for supporting Obama? This is so confusing. I thought we established that one couldn’t love their country without blindly supporting its president.
8:46 – Has anyone noticed how Taylor Swift strums from her elbow and not her wrist? It’s like she just picked up a guitar for the first time.
8:47 – I hope the tattooed guy on banjo is getting paid well for this gig.
8:49 – Good Lord, Taylor, stay in key! She has pitch like Mariah Carey at a baseball game in Japan.
8:53 – Dang, I forgot to get my 3D glasses. Fortunately, I still have 7 minutes to make it to Target.
8:54 – All you chumps who forgot your 3D glasses will now be given a migraine.
8:56 – I think Smokey could have handled the whole MJ tribute on his own. I would have loved to hear him cover a less-maudlin ballad on his own. I’d even settle for “Ben.”
8:57 – I love how Beyonce is wearing her 3D specs while Jay-Z is sans glasses. Hey B, you’re at the event. It’s already in 3D.
9:01 – I bet MJ’s kids feel really out of place when they hang out at their Uncle Tito’s place. Those are some pale-faced children.
9:03 – Wow, they were just paying tribute to MJ on the Grammys and now there’s a a commercial for “This Is It” on DVD. What a weird coincidence. It’s almost like it was planned.
9:08 – All you have to do to win an icon award is write “Sweet Talkin’ Guy”? Seems to be setting the bar a bit low.
9:09 – So what you were really voting for was which part of a Bon Jovi song they’ll perform.
9:10 – I hope Roger McGuinn is getting a cut of “We Weren’t Born to Follow.” Methinks Bon Jovi should have paid more attention to the Byrds’ “Wasn’t Born to Follow” when they were ripping it off.
9:11 – Someone needs to say it: Bon Jove are looking old. How many chins does Sambora have, anyway? I count three.
9:12 – I’ll tell you who says you can’t go home: Thomas Wolfe. And if home sounds like this, I’ll be out with Dean Moriarty on the road.
9:14 – Jon Bon Jovi should be forced to sing “Living on a Prayer” over the PA at a Home Depot.
9:16 – What the? How did Mos Def get onstage? “True Magic” had more artistry than the entire careers of everyone else onstage tonight – combined (except for Smokey Robinson and Leon Russell).
9:18 – Next year at this time, I hope Mos Def and Talib Kweli are being presented with the Best Rap Song award for “History.” Black Star rules.
9:19 – So Kanye actually wins an award and he doesn’t show up to collect it? How classic would it have been for Taylor to crash his speech? Probably why he didn’t show up.
9:21 – Seriously, though, best of luck to you and whatever you’re going through, Kanye. Your albums are genius. I hope you get your magic back and exorcise those demons.
9:26 – So it’s OK to sing “Bridge Over Troubled Water” to show support for the Haitians even though the song was banned by Clear Channel in the wake of 9/11?
9:28 – I just want to get this off my chest: Mary J. Blige, magnificent voice, but she oversings and all her songs are vamps and choruses. She doesn’t know what to do with a verse. And the a-hole who thought it would be a good idea to run that voice through auto-tune for MJB’s latest single should be shot. That’s like tying Fred Astaire’s ankles together.
9:30 – Do Mary J and Andrea Bocelli know they’re both singing the same song? Their “duet” was like an otolaryngological cock fight.
9:37 – Who’d have thought the Latin Grammys would have lasted a decade?
9:38 – How come there isn’t a Jazz Grammys or Klezmer Grammys?
9:42 – How many support musicians does the Dave Matthews Band need for this song? Maybe the USC Marching Trojans will show up again.
9:44 – Dave Matthews dances worse than Elaine Benes from “Sienfeld.”
9:46 – Now Ricky Martin has stolen Chris O’Donnel’s close-cropped look. He should just be glad he’s not forced to pay is way in with the general public.
9:48 – I think Beyonce’s dress is made of all of Jay-Z’s discarded bling.
9:55 – When I saw Maxwell last fall at the Saavis/Keil/Whatever it’s now called Center in St. Louis I imagined the experience was similar to seeing Marvin Gaye back in the day. Maxwell is the real deal and he’s killing it right now. Best performance of the night so far.
9:58 – Maxwell + Roberta Flack. At last, a duet with two people who actually know how to sing with a partner.
10:00 – As the show rounds the three hour mark, just think: the whole night could have been as good as what we just heard.
10:05 – I wonder if this is the combo Jeff Beck will be bringing to Starlight in April.
10:06 – So what’s the thinking here, now that all the kiddies have gone to bed we can shelve the pop tarts and have some real music?
10:07 – Does Quentin Tarantino know that pretending to act like such a badass is making him look like a huge douchebag?
10:14 – Is there a song underneath all these edits? Why not change the lyrics for television? I wonder if the producers have a lyric sheet up in the booth so they know when to drop out. That would be classic to see.
10:17 – Jamie Foxx is singing along with every lyric, but I have to say I think Drake is horribly overrated.
10:18 – Drake’s blend of preppie (black leather jacket, black shirt) with ghetto (torn, sagging jeans) is cracking me up. He’s clearly trying to have it both ways.
10:26 – Taylor Swift wins Album of the Year. Yawn.
10:29 – That’s it for the night. Thanks for reading and for hanging out.
Keep reading:
2010 Grammys: A Running Diary
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A Christmas conversation
Posted in Industry commentary, tagged Albert King, Allen Toussaint, Ava Maria, Back Door Santa, Bill Brownlee, Booker T and the MGs, Brenda Lee, Charles Brown, Charlie Brown, Charlie Brown Christmas, Christmas Cooking, Christmas Gumbo, Clarence Carter, Dan Hicks, Diana Ross, Dolly Parton, Donny Hathaway, Elvin Jones, Emmylou Harris, Fats Domino, Greensleeves, Isaac Hayes, Jackson 5, Jimmy Smith, John Coltrane, John Fahey, Johnny Cash, Lester Bowie, Lou Rawls, Louis Armstrong, Mahalia Jackson, Matt Wilson, Max Roach, McCoy Tyner, Michael Jackson, Motown Christmas, Nat King Cole, Odetta, Otis Redding, Plastic Sax, Rahsaan Roland Kirk, Rufus Thomas, Sam Billen, Smokey Robinson and the Miracles, Staple Singers, Stax, Stevie Wonder, Sufjan Stevens, Temptations, There Stands the Glass, Vince Guaraldi on December 17, 2010| 1 Comment »
(Above: Jimmy Smith’s “Christmas Cooking,” released in 1964, is a classic, overlooked holiday album.)
By Joel Francis
The Daily Record
The other day I was in a retail bookstore when I noticed the wonderful sounds of the Charlie Brown Christmas soundtrack coming from the overhead speakers. As I enjoyed the music, two thoughts hit me. First, I wondered if the store would be playing Vince Guaraldi’s jazz interpretations of Christmas carols if they weren’t connected to an iconic cartoon. Then I started thinking about my other favorite jazz Christmas recordings. Joining me in this Yuletide journey is my friend Bill Brownlee, the award-winning blogger behind There Stands the Glass and Plastic Sax.
The Daily Record: I don’t pull out the Christmas music until after Thanksgiving, but inevitably the first song I gravitate to is John Coltrane’s reading of “Greensleeves.” He cut this song many times. It can be found on his “Live at the Village Vanguard” collection and his “Ballads” album. My favorite version, though, may be found on Coltrane’s 1961 Impulse debut “Africa/Brass.” Not only does the performance run over 10 minutes – more than enough time to get lost in the playing – but classic Coltrane sidemen McCoy Tyner and Elvin Jones are augmented by a large brass section. The extra players beef up the sound and provide a larger-than-usual context.
Bill, what are some Christmas albums or performances that you turn to year after year?
Bill Brownlee: Along with most Americans, I’m inundated with Christmas music well before Thanksgiving. And as much as I love Donny Hathaway, Nat “King” Cole and Brenda Lee, involuntarily hearing their holiday hits saps my spirit. Even Charlie Brown Christmas is played out for me. And speaking of Vince Guaraldi, how often do you hear “Cast Your Fate To the Wind” played at a box store or on the radio? There’s your answer.
That’s why I embrace the odd and the overlooked material. Asked to supply music for my compound’s tree trimming festivities on Saturday, I immediately turned to Dan Hicks’ new Crazy For Christmas album. The hillbilly jazz selection was so unpopular that I had to turn to (predictably boring) Motown Christmas to quell the insurrection.
If it’s a classic R&B Christmas you want, though, I’d suggest “Christmas in Soulsville” aka “It’s Christmas Time Again.” The tracklisting more inventive – where else are you going to hear “Back Door Santa” and not one, but two versions of “Santa Claus Wants Some Lovin'”? And the lineup is impeccable: Otis Redding, Isaac Hayes, the Staple Singers, Rufus Thomas, Booker T and the MGs, Albert King and more. Stuff that in your stocking.
BB: I remember being so disappointed after I purchased a small stack of Motown Christmas LPs- the Temptations, the Miracles, the Jackson Five and so on. The arrangements and performances were totally uninspired. Maybe that bad experience enhances my appreciation of stuff like Clarence Carter’s “Back
Door Santa.”
TDR: It sounds like we’re in agreement on the Stax recordings. What are some of your other Yuletide favorites? What’s been tickling your ears this season?
BB: The two new recordings I love are the aforementioned Dan Hicks and Matt Wilson’s Christmas Tree-O. It’s playful in a Lester Bowie/Rahsaan Roland Kirk sense. Fun.How about you? What are you listening to?
TDR: There are several Christmas albums I reach for every year. Jimmy Smith’s “Christmas Cooking” is incredible. If you can get past the drum machines, Fats Domino’s “Christmas Gumbo” is a lot of fun. My wife insists we listen to Emmylou Harris’ “By the Light of the Stable” every year as we put up the tree. And if you’re stuck in a family situation where no one can agree on anything and you don’t want to be saddled with a commercial Christmas radio station, any of the eight EPs in Sufjan Stevens’ holiday series will do the trick.
Another treat of the season is watching bands incorporate holiday music into their stage act. Do you have any favorite Christmas concert memories?
BB: What kind of postmodern indie rock utopia do you live in? Your suggestion that everyone can agree on Sufjan seems bizarre.
And I seem to remember that both of us attended a Charles Brown gig on a cold winter night shortly before he passed. “Merry Christmas, Baby”!
Oh, Emmylou! Perfect. There are certain voices that are ideal matches for the Christian holiday. And no, Sufjan’s isn’t one of them. I’m thinking of Emmylou, Johnny Cash, Dolly Parton, Lou Rawls, Louis Armstrong and Mahalia Jackson.
TDR: First off, I should clarify that these Sufjan EPs all pre-date “The Age of Adz,” so he’s still very much in folky banjo troubadour mode. I don’t know why these recordings seem to pacify everyone, but it works for some reason. Granted, it’s a small focus group – six people. My sister and I (and our spouses) are Sufjan fans in general. He has some hymns and traditional material that pleases my parents and his arrangements low-key and accessible for them. Plus, after having to endure James Brown’s “Funky Soulful Christmas” and the Buck Owens Christmas album, I’m sure anything sounds good to them.
I’m not sure I can get behind a Dolly Parton Christmas, but I definitely agree with the rest of the singers on your list. Your mention of Mahalia Jackson reminded me to recommend Odetta’s “Christmas Spirituals,” if you haven’t heard it before.
That Charles Brown show was special to me in many ways. Not only was it his last performance in Kansas City, but it was my first experience at the Grand Emporium. I was 18 at the time, so I needed my dad to go with me so I could get in, not that I had to twist his arm to go. Even though it was February, everyone still enjoyed hearing him play his legendary Christmas songs, tell stories and sing the blues. Thanks for mentioning this amazing experience we shared.
More importantly, thank you for taking time to talk about Christmas music with me. Do you have any parting comments before signing off?
BB: I’ll close with a list:
TEN OF MY FAVORITE ODD AND OVERLOOKED CHRISTMAS ALBUMS:
Sam Billen- A Word of Encouragement (2010 release available as a free download)
Brave Combo- It’s Christmas, Man
Charles Brown- Cool Christmas Blues
John Fahey- Christmas Guitar
Dan Hicks- Crazy For Christmas (2010 release)
Tish Hinojosa- Memorabilia Navidena
Manzanera and MacKay Present: The Players- Christmas
Max Roach- It’s Christmas Again
Allen Toussaint & Friends- A New Orleans Christmas
Matt Wilson- Christmas Tree-O (2010 release)
Merry Christmas!
TDR: That’s a great list, Bill. You mention several of my favorites (Allen Toussaint, John Fahey) some I need to hear (Brave Combo, Sam Billen) and some I’ve been unable to find (Manzanera/MacKay, Max Roach). It’s certainly enough to keep me busy until Christmas next year. Thanks for sharing, and thanks for stopping by.
Merry Christmas everyone!
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