By Joel Francis
The Kansas City Star
Escape the Fate and Attack Attack capped a long night of metal at the Beaumont Club on Thursday. Rarely has a genre so closely associated with darkness and despair sounded as communal and uplifting.
Neither five-piece band had any trouble whipping the crowd into a frenzy. The Beaumont was just over half-full at its peak, and the crowd made full use of the extra room, creating pockets of mosh pits. Attack Attack singer Caleb Shomo repeatedly encouraged the formation of a large slam-dance circle in the middle of the floor, and fans were all too willing to comply.
Both bands traded in tuned-down guitar riffs, growled and screamed vocals and insistent machine-gun bass-drum cadences. While the verses to many songs were musically hostile, the lyrics spoke of redemption, perseverance and self-belief.
Driving the point home on nearly every number was a big, poppy chorus that dropped the screaming and allowed the coed crowd to participate in spreading the message.
What each act lacked in sonic diversity, it made up for in sustained energy. Shomo and Escape the Fate singer Craig Mabbitt walked the line between ringleader and supportive sibling, commanding dancing and jumping, encouraging sing-alongs and always praising participation.
Shomo and Mabbitt also took time from their brief 55-minute sets to preach the importance of holding on to one’s dream no matter what others may say and the conviction that any dream is possible provided one believes in it enough and works hard to achieve it.
Several numbers in the Columbus, Ohio-based Attack Attack performance had a strong dance element, with silky keyboard loops spinning underneath the forceful arrangements. The discotheque elements provided a nice counterbalance to the metal façade. When Escape the Fate let up on the throttle ever so slightly, its music revealed a strong emo influence.
Hailing from Las Vegas, Escape the Fate hasn’t released a new album since 2010, so anticipation was high to hear new numbers. Attack Attack’s third album, “This Means War,” has been out only since January, but there was no dip in crowd enthusiasm between the older and new material.
At one point, Mabbitt dedicated a song to all the moms and girlfriends out there. The ensuing number was a pleasant surprise. Instead of a clichéd, misogynistic, sex-drenched come-on, “Ashley” was a heartfelt tribute to Mabbitt’s girlfriend. One song earlier, Mabbitt dedicated the song “You Are So Beautiful” to his little brother, who was helping at the merch table.
Romance, affirmation and appreciation aren’t very metal, but then again neither is having a family re-create “Crazy Train” for a car commercial or reappropriating “Welcome to the Jungle” to announce a relief pitcher.
Attack Attack and Escape the Fate may not pass muster with purists, but they’ve figured out a great formula. Sweeten the chorus enough to bring the girls along for the ride, make enough noise to keep Dad shaking his head and scream long enough for Mom to frown.