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(Above: Reggae pioneers the Skatalites pay tribute to Dave Brubeck, and prove that it is possible to skank to jazz.)

By Joel Francis
The Daily Record

The original run of the Skatalites lasted barely over a year. That brief window has proved to be more than enough time to build a legacy strong to survive nearly half a century later.

The music the seven-piece island band played for two hours at Davey’s Uptown Rambler’s Club on Thursday night transformed the sound of Jamaican music, but has deep tentacles into many forms of American music, including jazz, doo wop, R&B, gospel and even country.

The band never tried to hide its influences. “Music is My Occupation” reappropriated the horn line from “Ring of Fire.” Next, on their version of the James Bond theme, the famous surf guitar was transferred to a punchy horn line. The arrangement inspired more dancing than danger. Think of it as the soundtrack to the scene after the big fight, when 007 waltzes away with the girl.

Three horns lined the front of the stage, proclaiming the band’s strength. Founding member Lester Sterling played an old saxophone that looked like it had been rescued from a shipwreck but never failed to summon a melody pure and true. The big rhythm section included keyboards and guitar. They players may have been hidden behind the brass, but never played second fiddle.

The band had no problem moving the tricky 5/4 time of Dave Brubeck’s signature “Take Five” to a ska beat. Originally recorded with Val Bennett as “The Russians are Coming,” the piece featured Sterling’s longest solo of the night and proved he could hang with the players in the Blue Room any night.

When Sterling wanted to show off ska’s versatility, he launched the band into a cover of “I Should Have Known Better.” The Beatles were contemporaries when the Skatalties first laid down their version. A cover of Bob Marley’s “Three Little Birds” – courtesy of drummer Trevor Thompson – and the spiritual “We Shall Not Be Moved” were the night’s only vocal moments.

The two-hour set was generous to a fault. While the room was packed for the first hour, there was plenty of elbow room when “The Guns of Navarone,” the band’s biggest song, finally emerged near the end. Most of the instrumentals employed a similar arrangement, allowing some sameness to eventually creep. The performances were always energetic, however, and kept a steady flow of dancing near the stage.

Purists can quibble over the lack of original members onstage and they’d have a point. Sterling is the only founding member, and almost half the band wasn’t born when the Skatalites were at their peak in Studio One. Blame Father Time for the attrition then ask if the music should be forced to pass along with its musicians.

Sterling put it another way between numbers: “When you’re good, you’re good.”

They’re good.

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