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(Above: D’Angelo’s signature slow jam “Untitled (How Does It Feel)” eventually ends up in church as the closing number in his June 9, 2015, concert at the Midland Theater in Kansas City, Mo.)

By Joel Francis
The Kansas City Star

The quaint concept of chronos means nothing to D’Angelo.

Twenty years after releasing his first album, the soul singer made his Kansas City debut at the Midland on Thursday night. He kept the crowd waiting more than an hour after an abbreviated opening set by Meg Mac’s backing band (the Australian singer was ill and unable to perform). Perfunctory encore breaks stretched more than five minutes.

D’Angelo made every moment worth the wait, and then some.

D'Angelo FYI al 061115 0321 Songs that span a few minutes on the album were stretched to more than double their length throughout the night as D’Angelo and his 10-piece band, The Vanguard, rode the groove and twisted every wrinkle out of the arrangements. The two-hour set leaned heavily on last year’s “Black Messiah” — his first release in 14 years.

A leading player in the mid-’90s neosoul movement, D’Angelo wears his influences proudly. “Sugah Daddy” started as one of the best Sly Stone songs D’Angelo never wrote (and better than several he did), until a flick of the wrist transformed it into a James Brown jam. The vamp between the first two songs of the night, “Ain’t That Easy” and “Betray My Heart,” sounded like a lost Parliament-Funkadelic track. References to Prince and Earth, Wind and Fire also were abundant.There wasn’t a bum note or dull moment in the set, but a few songs stand out. The powerful #blacklivesmatter anthem “The Charade” ended with D’Angelo and his two guitarists clustered together, taking solos as the song built in intensity.The pairing of “Left and Right” and “Chicken Grease” pushed the party to another level. With the two horn players and three backing vocalists lining the front of the stage, it felt like a New Orleans parade.D'Angelo FYI al 061115 0335Fans started heading toward the exits during the first encore set, when the clock tipped toward midnight. The ones who stayed were treated to an epic version of “Untitled (How Does It Feel),” D’Angelo’s biggest song. Unlike the infamous video, D’Angelo kept his clothes on, but ended the slow jam by dismissing his band members one by one, until he was alone behind the keyboard.

“Really Love” offered a chance for several band members to shine. Singer Kendra Foster stole the spotlight with ballet-influenced moves during the introduction. Bass player Pino Palladino’s nimble fingers provided a delicate counterpoint to Isaiah Starkey’s classical guitar. Later in the song, D’Angelo pulled Starkey out front for a great call-and-response solo, where scatting was transformed into fretwork.

Seconds after saying goodnight during “Chicken Grease,” D’Angelo called the saxophone player forward for a solo and disappeared, only to quickly return playing guitar. It would be another 20 minutes before he said goodnight and meant it. And everyone in the house was better for it.

Setlist: Ain’t That Easy; Betray My Heart; Spanish Joint; Really Love; The Charade; Brown Sugar; Sugah Daddy. Encore 1: Another Life / Back to the Future / Left and Right / Chicken Grease. Encore 2: Untitled (How Does It Feel).
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