(Above: Missy Higgins performs “Nightminds” sans band at the Beaumont Club in Kansas City, Mo.)
By Joel Francis The Kansas City Star
Four years after she walked away from the music industry, Australian singer/songwriter Missy Higgins brought some of the people who helped her record again onstage at the Beaumont Club on Saturday night. It could have been a comfort blanket, but it was probably just too much fun to resist.
The triple bill of Higgins, Katie Herzig (who co-wrote one of the songs on Higgins’ new album) and Butterfly Boucher (who co-produced the record) created a communal, free-wheeling vibe. All of the artists appeared in each other’s sets. When Boucher’s opening set was done, she and drummer Will Sayles stayed on as the rhythm section for the other two sets.The laid-back nature of the night created several fun moments. When Higgins was late missing her cue to join Herzig, it created some dead time onstage as everyone waited. Later, when it was Herzig’s turn to return the favor, she was nowhere to be found. Higgins joked that her friend was already in her pajamas, doing yoga. The one-song delay while Herzig was located was well worth the wait. The voices of Higgins, Herzig and Boucher blended beautifully on the poppy “Tricks.”Higgins’ 90-minute performance drew from her comeback album, “The Old Razzle Dazzle,” but mostly delivered a nice cross section of her catalog. Fans didn’t have any problem singing along with the new song “Hello Hello,” but they were especially excited by “Scar,” Higgins’ debut single. Before “Everyone’s Waiting,” Higgins discussed the motives for her sabbatical. A solo version of “Nightminds” was one of the night’s most inspirational moments.
The rows of chairs neatly lining the dance floor and atmosphere generated by the confessional music made lattes seem more appropriate than beers. Incredibly, the sound in the Beaumont Club — a venue long notorious for muddy mixes and inaudible vocals — was pristine. Each instrument was both audible and in perfect balance in the mix.
Herzig’s music has probably been heard by more people on TV than on the radio. Her 45-minute set included the infectious “Hey Na Na,” used in the first “Sex and the City” movie. Higgins guested on “Wish You Well” and “Lost and Found,” both of which have been featured on “Grey’s Anatomy.” Cellist Claire Indie and multi-instrumentalist Jordan Hamlin created the perfect space for Herzig’s songs. Hamlin’s amazing backing vocals pushed a mash-up of “Sweet Dreams” and “Seven Nation Army” even further into the stratosphere and generated one of the few rocking moments of the night.
Setlist: Secret, The River, The Hidden Ones, This Is How It Goes, Hello Hello, The Special Two, Tricks, Going North, Peachy, Where I Stood, Nightminds, Everyone’s Waiting, Sugarcane, Watering Hole, Unashamed Desire, Scar, Warm Whispers, Steer.
Ben Folds is so melodic that even when he writes bad tunes on purpose he ends up with something you can whistle and enjoy.
Case in point: Folds’ two-hour-plus, sold-out concert at the Uptown Wednesday night. Nearly half a dozen of the evening’s songs were spoofs that Folds and his band leaked to the internet before the release of his latest album, “Way To Normal.”
“We decided even though these songs were written to suck, we liked them anyway,” Folds told the crowd.
So while the album version of “Bitch Went Nuts” is about a man justifying a break-up by blaming the woman, the “fake” version is about a liberal woman who takes cocaine and goes Ralph Nader at her conservative date’s law-firm party. Folds was so enamored with his fakes that he A-side/B-sided them against the album versions two times during the night. Both times each version held its own.
As such, the night was heavy on “Normal” material. Opening act Missy Higgins joined Folds for the bouncy, synth-heavy “You Don’t Know Me”; “Frown Song” was propelled by not one, but two keytars. “Cologne” is a beautiful ballad about a deteriorating relationship that stands proudly among Folds best compositions.
“Brainwashed” recalled the best moments of the Ben Folds Five, and while his band jammed on the outro, Folds stood to the side of the stage with his hands together, beaming like a child at a talent show.
Folds peppered the setlist with fan favorites like “Landed,” “Zak and Sara” and a partial cover of Elton John’s “This Song Has No Title” (which he’d performed at a New York City benefit concert earlier this week).
The encore was essentially a half-hour second set for the faithful. “Still Fighting It,” “Kate,” “Philosophy” and “Fair” were pure Folds gold that the crowd devoured. He’s not afraid to flip on the house lights to get the audience involved, and they were not shy about taking the cue. The crowd jumped on “Army” with a “Rocky Horror Picture Show” level of interaction, taking over the three-part-harmony bridge with no instruction.
The five-piece band included drummer Sam Smith, who played so hard the “V-O-T-E” letters fixed to his shirt gradually fell off. Folds frequently dismissed the extra keyboard player and percussionist for a pared down bass-drums-piano trio on the harder hitting numbers.
Higgins warmed the crowd up with a 45-minute set of radio-ready acoustic pop, playing in socks because, she said, her shoes got soaked on an afternoon expedition to Broadway Café. The highlight of her set was “Going North,” which featured a great acoustic guitar solo by Ben Edgar.
The concert was Folds third local performance of the year, following a late-winter, students-only show at UMKC and a 70-minute set at Wakarusa in June. If that set was slightly truncated, Folds made amends by playing for more than two hours and returning for two encores Wednesday night. The first encore set ended with the fake version of “Frown Song.” It’s hard to imagine anyone leaving with anything but a smile.
Setlist: Way to Normal/Effington/This Song Has Not Title/You Don’t Know Me (with Missy Higgins)/Gone/Brainwashed/Dr. Yang (fake)/Dr. Yang/Anne Waits/Cologne/Frown Song/The Bitch Went Nuts/Landed/Kylie from Connecticut/Free Coffee/Free Coffee Town/Hiroshima/Zak and Sara/The Bitch Went Nuts (fake) Encore: Fair/Still Fighting It/Philosophy/Kate/Rocking the Suburbs/Underground/Army/Frown Song (fake)/Not the Same