prophets of rage, psychedelic furs, bobbie gentry album covers

Random record reviews: the Psychedelic Furs, Bobbie Gentry, Prophets of Rage,

By Joel Francis

Psychedelic Furs – Made of Rain

For better or worse, the Psychedelic Furs will always be tied to “Pretty in Pink” and the films of John Hughes. The master of 1980s coming-of-age movies directed his last film in 1991, the same year the Furs released their final album. That is until now, 29 years later, and Made of Rain.

Just the eighth album from the band, Made of Rain is far from the cash-in or pale imitation skeptics could rightly assume after so long an absence. To be sure, Made of Rain will never be mistaken for one of the Furs classics made in the first half of the Me Decade, but it is also better than some of the albums released toward the end of the group’s original run.

 “The Boy that Invented Rock and Roll” opens the album with no concession to the passage of time. Singer Richard Butler is still entrenched in that odd niche between Johnny Rotten and David Bowie, while Mars Williams’ saxophone darts around Tim Butler’s propulsive bassline. Lead single “Don’t Believe” is a tough number that features a short, soaring chorus against a dark backdrop. Later, “Come All Ye Faithful” finds Richard Butler at his sardonic best, delivering lines like “When I said I loved you, and I lied / I never really loved you, I was laughing at you all the time.”

Even less-successful numbers such as “Ash Wednesday” and “You’ll Be Mine” get by on their ability to conjure the specific feelings and memories only the Psychedelic Furs can produce. It isn’t pure nostalgia, but also a wonder that no matter how much has changed, life could somehow sound and feel this way again.

Bobbie Gentry – The Delta Sweete

After the surprising – and massive – No. 1 hit “Ode to Billie Joe,” Bobbie Gentry recorded a sometimes-autobiographical song cycle about life in the South. As a Mississippi native, the material is a natural for Gentry, but odd production choices make The Delta Sweete a completely unique release.

Neither psychedelic nor countrypolitian, the acoustic instruments at the heart of each performance are saturated with strings, horns and seemingly everything producer Kelly Gordon could think of. The busy arrangements often draw the focus away from Gentry’s voice and lyrics. At times, the material resembles folk songs posturing Las Vegas show tunes.

Perhaps no number on The Delta Sweete embodies this juxtaposition better than “Sermon,” also known as the country gospel song “God’s Going to Cut You Down.” Gentry’s version is startling upbeat, accented with punchy horns. It is especially astonishing for those used to the foreboding Johnny Cash version.

The new deluxe version unearths a mono mix of the album, along with band tracks, but the spare acoustic demos are most fascinating addition. The Delta Sweete might be a better album if it stayed closer in spirit to these stripped-down performances, but it would also be a lot less interesting.

Prophets of Rage – Prophets of Rage

The remaining members of Rage Against the Machine have had a hard time filling the void left by the unexpected near-retirement of frontman Zack de la Rocha nearly 20 years ago. The trio paired with Chris Cornell for three albums in the ‘00s and are now working with Public Enemy’s Chuck D and DJ Lord and B-Real of Cypress Avenue.

The supergroup’s 2017 self-titled album is closer in sound, content and spirit to the Machine’s celebrated catalog. Chuck D has no problem agitating a lyric against injustice and the like-minded B-Real is a better foil in this context than a post-reality show Flava Flav.

Neither Public Enemy nor Rage Against the Machine were known for subtly and truthfully the Prophets of Rage doesn’t offer many surprises. The album sounds pretty much exactly as one would imagine. Those excited by this prospect know playing the Prophets at maximum volume satisfies both a primal and sociopolitical need.

Keep reading:

Review: Prophets of Rage

Review: “All Over But the Shouting”

Review: David Rawlings Machine

Little Arkansas Rocks

(Above: Al Hibbler, who wrote “Unchained Melody,” attended school for the blind in Little Rock, Ark.)

By Joel Francis

At a recent concert in Fayetteville, Ark., jazz legend Sonny Rollins remarked at how happy he was to be playing Louis Jordan’s home state for the first time.

Arkansas has never been known as either cutting-edge or influential. Not even Bill Clinton could save Arkansas from being a backwoods punchline – it’s the West Virginia of the Midwest, for readers who are mystified by what lies west of Virginia – but it’s spawned an amazing number of influential musicians. There’s Johnny Cash, who was born in Kingsland and raised in Dyess, and his brother Tommy, of course. Legendary Band drummer Levon Helm, who hails from Marvell. Those are the ones everybody knows.

Incredibly, soul legend Al Green was born in Forrest City. One of Green’s influences, gospel/rock and roll pioneer Sister Rosetta Tharpe, was born in Cotton Plant. Contemporary gospel star Smokie Norfull was originally from Pine Bluff. Delight brought us Glen Campbell, Colt was Charlie Rich’s first home and Conway Twitty was born Harold Jenkins in Helena. John Hughes, a pedal steel player who worked Twitty and numerous others, came from Elaine.

Louis Jordan (Brinkley) aside, the Natural State has also produced jazzman Joe Bishop from Monticello, who wrote the staple “Woodchopper’s Ball” and free jazz saxophonist Pharoah Sanders (Little Rock).

The state’s greatest legacy might be the amount of blues it birthed, including Luther Allison (Widener), Willie “Big Eyes” Smith (Helena), Son Seals (Osceola), Jimmy Witherspoon (Gurdon), Roosevelt Sykes (Elmar) and Robert Jr. Lockwood (Helena). West Memphis was the first stop north for many blues players. Sonny Boy Williamson II, Howlin’ Wolf, Elmore James, Big Boy Crudup and B.B. King all stopped there for a while. Stax pillar Rufus Thomas was a longtime West Memphis radio host.

The name Jim Dickinson (Little Rock) may not be familiar, but his work with the Dixie Flyers, Aretha Franklin, the Rolling Stones, Big Star, the Flamin’ Groovies, the Replacements, Mudhoney and the North Mississippi Allstars – which features his sons Luther and Cody – has been heard the world over.

On the pop side, founding Evanescence duo Amy Lee and Ben Moody are also both Little Rock Natives; R&B slickster Ne-Yo was born in Camden and Perryville begat Shawn Camp, who has written songs for Garth Brooks, George Strait and Brooks and Dunn.

Arkansas may be a forgotten state that ranks in 32nd in population and 29th in area, but if you can’t experience its Ozark Mountains in person, it’s at least worth a musical road trip.