Just because Gregg Gillis doesn’t play a musical instrument, doesn’t mean he can’t make you dance. For 80 minutes on Friday night, Gillis, better known as Girl Talk, had a packed Crossroads getting down in a downpour.
That set time may not look very long, but it was both exhausting and generous. Girl Talk specializes in creating ultimate mash-ups of literally hundreds of songs from nearly every genre and artists ranging from Boston, ODB, Radiohead, Simon and Garfunkel, Ben Folds and UGK. The shorter list would be the one encompassing all the artists Gills didn’t play. Suffice it to say, if it was a pop or club hit in the last 40 years, it was fair game for inclusion.
Girl Talk’s performance is more than matching beats per minute, however. He is the master of extracting the peak moment of a given song, pairing it with the pinnacle from another disparate track and creating a new climax higher than either cut could achieve alone.
The high-energy set was paced to jump from one high point to another, but a couple moments stand out. During Kelly Clarkson’s “Since U Been Gone” he teased out the verses, delaying the explosive chorus. When it finally hit a shockwave went through the crowd, amping the atmosphere even higher. He repeated the same trick drawing out the intro of the Smashing Pumpkins’ “Today,” before the glorious guitar riff detonated across the venue.
There’s a reason why most DJs are hidden in a booth at the back of a club: there’s usually not much visually going on. Gillis, though, took a cue from the Flaming Lips, flanked by a cast of dancing fans onstage and two assistants who were constantly streaming rolls of toilet paper and confetti into the crowd. They got an assist from Mother Nature, who provided an impressive lightning show in the sky above as the rain continued to pour throughout the night.
Although there was a video screen and basic light show, the most animated element of the night by far was Gillis himself. Taking the stage in a hoodie, it wasn’t long until he was shirtless and sweating profusely. His legs were never still, hopping back and forth between laptops on nearly every beat. Combine that with bouts of jumping on (and off) the table, arm waving and exuberant shout-outs and Gillis gave himself a heck of a cardio workout. The result was a performance far more entertaining than the typical person-behing-laptop/turntable.
Most of the set centered on recent hits, but Gillis mixed in two old tracks for the finale. The Isley Brothers’ “Shout” was virtually unaltered, save a hip hop beat underneath. The same trick that worked at the skating rink was just as effective on a larger scale with adults. The evening ended with John Lennon’s “Imagine,” which crawled at a snail’s pace compared to the rest of the night’s fare. Of course by then the message had already been received.
The lineup for Tuesday’s Experience Hendrix concert at the Uptown Theater seemed to set up a joke: How many guitarists does it take to pay tribute to the most celebrated axeman of all time? The answer: Fourteen, including half of Los Lobos, all of Living Colour, a pair of virtuosos, a handful of bluesmen and several contemporaries.
Billy Cox, the Band of Gypsys bass player and Jimi Hendrix’ last living band mate, opened the night with a heartfelt thank you and romp through “Stone Free.” Backing him on drums was Chris Layton, better known for his time backing Stevie Ray Vaughan in Double Trouble, and Ernie Isley of the Isley Brothers. The star-power of the opening lineup may have had the loaded house drooling over their guitar magazines, but they didn’t have long to revel.
Every 20 minutes or so, another pairing of musicians emerged, each seeming to emphasize a different aspect of Hendrix’ music. His rhythm and blues roots came out in Living Colour’s set, while members of Los Lobos paid tribute to his roots and Kenny Wayne Shepherd emphasized the rock star angle.
Jonny Lang’s performance of “Fire” was the first explosive moment of the night. Backed by Brad Whitford of Aerosmith and a vivacious chorus of singers, Lang’s feverish vocals and impassioned playing drove the crowd to their feet. Whitford was finally able to emerge from the long shadow of his Aerosmith band mate Joe Perry as he and Lang traded solos.
Lang’s set was followed by Kenny Wayne Shepherd’s explosive interpretation of “Voodoo Child (Slight Return).” Knowing his boss was about to burn down the fret board, singer Noah Hunt, who also sings in the Kenny Wayne Shepherd Band, abandoned the stage after completing his verses. Alone onstage, save the rhythm section of Layton and Scott Nelson, Shepherd struck about every rock star pose imaginable as he soloed endlessly to the rapture of the crowd.
Susan Tedeschi was the lone intruder into this guy’s night out. Although she wasn’t given a set of her own, each of her frequent guest appearances was inspiring. Her singing on “One Rainy Wish” added an earthy sensuality and vulnerability to Hendrix’ lyrics, and her tasty guitar solos were a welcome relief from the pyrotechnics.
The night’s two dozen songs spotlighted classic rock staples “Purple Haze,” “Foxy Lady” and “The Wind Cries Mary,” and also unearthed some deeper treasures. Cox celebrated the guitarist he met in the Army with “Message of Love,” a song he a Hendrix recorded on the “Band of Gypsys” album. Eric Johnson embraced Hendrix’ love of unusual textures with the deep cut “House Burning Down.”
Robert Randolph and Sacred Steel brought new life into “Purple Haze.” The result wasn’t too different from what Randolph’s Family Band typically serves up, but the playing was much more elastic bouncing between the trio of steel guitars. Eric Johnson enlisted three drummers to help summon the heavy, drugged feel on “Are You Experienced.” Later, Joe Satriani had no trouble coaxing alien sounds from his guitar during “Third Stone From the Sun.”
Midway through the set, guitarist emeritus Hubert Sumlin emerged to represent the pre-Hendrix guitar world. Backed by Tedeschi, and Cesar Rosas and David Hildago of Los Lobos, Sumlin showed none of his 78 years powering through “Killing Floor,” a song he originally cut with Howlin’ Wolf for Chess Records in 1966. While all the expected heavy hitters drew big responses, some of the evening’s best moments occurred during songs Hendrix didn’t write. Robert Randolph and Sacred Steel teamed with Cox and Living Colour singer Corey Glover for a jubilant gallop through Buddy Miles’ “Them Changes.” Cox tried to end the number, but Randolph wouldn’t let it stop, motivating Glover’s fervent yelps with his riffs. Early in the night, Isley’s unaccompanied incorporation of “Amazing Grace,” mostly played with his teeth, brought back shades of Woodstock.
After every trick and novelty had been exhausted, Cox returned to the stage and closed the night with the blues staple “Red House.” When all the performers were brought out for a final bow, they extended nearly all the way across the stage. Evidently it takes a lot of bodies to fill some very big shoes.
PROGRAM Stone Free – Billy Cox, Ernie Isley Message To Love – Billy Cox, Ernie Isley Manic Depression > Amazing Grace – Ernie Isley Power of Soul – Living Colour Crosstown Traffic – Living Colour House Burning Down – Eric Johnson Bold As Love – Eric Johnson One Rainy Wish – Eric Johnson, Susan Tedeschi Are You Experienced – Eric Johnson, Will Calhoun Fire – Jonny Lang, Brad Whitford The Wind Cries Mary – Jonny Lang, Brad Whitford Spanish Castle Magic – Jonny Lang, Brad Whitford, Susan Tedeschi I Don’t Live Today – Kenny Wayne Shepherd, Noah Hunt Come One – Kenny Wayne Shepherd, Noah Hunt Voodoo Chile > Voodoo Child (Slight Return) – Kenny Wayne Shepherd, Noah Hunt Can You See Me – David Hildago, Cesar Rosas Little Wing – David Hildago, Cesar Rosas Killing Floor – Hubert Sumlin, David Hildago, Cesar Rosas, Susan Tedeschi Purple Haze – Robert Randolph and Sacred Steel Them Changes – Robert Randolph and Sacred Steel, Billy Cox, Corey Glover Third Stone from the Sun – Joe Satriani, Corey Glover, Doug Wimbish, Will Calhoun Foxy Lady – Joe Satriani, Living Colour All Along the Watchtower – Joe Satriani, Living Colour Red House – Billy Cox, Joe Satriani, Brad Whitford, Robert Randolph, Will Calhoun
Note: Except when replaced by Living Colour or Billy Cox, Chris Layton and Scott Nelson played drums and bass. The Sacred Steel is Robert Randolph, Darick Campbell and Aubrey Ghent. Living Colour is Will Calhoun, Corey Glover, Vernon Reid and Doug Wimbish.