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Posts Tagged ‘Beth Cosentino’

(Above: Best Coast perform “No One Like You” at the Granada Theater in Lawrence, Kan., on May 26, 2012.)

By Joel Francis
The Kansas City Star

The backdrop depicted a large bear embracing the state of California, a nice metaphor for the music emanating just a few yards closer. For 75 minutes Sunday night at the Granada, indie-pop duo Best Coast showcased the many of the Golden State’s finest musical attributes: girl groups, surf guitars and bubbly pop melodies about summer and love.

The band makes a strong case for being their home state’s finest musical ambassadors since the Beach Boys. Opening number “The Only Place,” the title track to their recently released sophomore album, set the stage. “We’ve got the ocean/got the babes/got the sun/got the waves,” Beth Cosentino sang over jangly guitars. “So leave your cold behind/we’re gonna make it to the beach on time.”
The sun is usually out in Cosentino’s musical world, but not always in her heart. Her lyrics are direct and confessional, often reading like diary entries about lost, misplaced or inconvenient love. The band’s 2010 debut had a lo-fi feel that added to the intimacy of her words. Onstage, the twosome of Cosentino and guitarist Bobb Bruno are touring with a bass player for the first time. Combined with a new drummer, they finally had a live rhythm section that adds muscle and potency to the music.The bass added depth to the sound and gave Bruno more freedom on his guitar. The drumming enhanced the sense of desperation in “Why I Cry” and gave urgency to “Angsty.”Cosentino’s pop memoirs of longing came tumbling one after another. The set list comprised nearly all of “The Only Place,” more than half of their debut “Crazy For You” and a handful of singles. The whole room was dancing for the bouncy pairing of “Let’s Go Home” and “Our Deal,” but the slower material went over just as well thanks to Cosentino’s captivating voice. An emotional cover of Fleetwood Mac’s “Storms” hinted at the direction Cosentino’s songwriting may be headed. It covered the same romantic terrain, but boasted more lyrical maturity and depth.

Cosentino and Bruno clearly aren’t tired of playing “Boyfriend,” their breakout hit. Cosentino threw herself into the delivery, nearly growling the words “how I want him.” The pair were all smiles throughout the one-two of early singles “When I’m With You” and “Boyfriend” that ended the night.

Just as Best Coast benefited away from the blistering sun and heat that capsized their mid-day slot at Kanrocksas last summer, opener Jeff the Brotherhood was better suited for the Granada than the cavernous Midland Theater, where they opened for the Kills last winter.

The sibling duo from Nashville’s half-hour set was driven by guitarist Jake Orrall’s 3-string, hybrid guitar. The axe featured a Gibson body and bass neck and was filtered, flanged and phased about every way imaginable, often sounding like Black Sabbath’s meeting with Swamp Thing. The high point of their set was “I’m a Freak,” a straight-up, classic rock guitar jam in the vein of “Stranglehold.”

Setlist: The Only Place, Last Year, Angsty, Summer Mood, Goodbye, Crazy For You, Sun Don’t Shine, No One Like You, How They Want Me To Be, Why I Cry, Mean Girls, Dreaming My Life Away, Let’s Go Home, Our Deal, Do You Love Me Like You Used To, Up All Night. Encore: I Want To, Sun Was High, Storms (Fleetwood Mac cover), When I’m With You, Boyfriend.

Keep reading:

Review: Andrew Bird

Review: Best Coast and Kanrocksas Music Fest

Review: Devotchka

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(Above: The mini-movie for “Our Deal,” the latest song from Best Coast.)

By Joel Francis
The Daily Record 

The big names at the top of the bill will draw the most fans, but sometimes the best performances are from lesser-known acts early in the day. In the week leading up to the inaugural Kanrocksas music festival we’ll examine 10 overlooked acts. Earlier this week we looked at five acts from Friday’s lineup. Below are some great picks for Saturday.

Hearts of Darkness (Main Stage, 1:30 – 2 p.m.)

Kansas City’s worst-kept secret will kick off Saturday with deep Afro-beat grooves so hot the sun may be intimidated. With a five-piece horn section and multiple percussionists, the 18-member band has recently upstaged Snoop Dogg and made Huey Lewis and the News work a little harder. Hopefully it won’t be too long until Hearts of Darkness get the later stage time they deserve.

Making Movies (INK Unplugged Stage, 3:30 – 4 p.m.)

Making Movies took their name from the Dire Straits, but their sound is closer to Los Lobos. And just like Los Lobos, Making Moviesconcerts are likely to skip all over the place, with a salsa cover running into a Modest Mouse song. They will bring a much-needed world music presence to the lineup.

Best Coast (Stagesaurus Rex, 3:40 – 4:20 p.m.)

As their iTunes sessions EP proves, Best Coast have a lot more muscle onstage than their dreamy, lo-fi indie pop recordings imply. That’s good because they’ll have a massive space to fill Saturday afternoon. Singer/songwriter Bethany Cosentino has great songwriting chops. Now we’ll see how her song translate over several sunny acres.

Girl Talk (Main Stage, 8:30 – 9:35 p.m.)

Mash-up king Greg Gillis is the king of plucking a song’s apex and pairing it with another seemingly disparate crescendo to create a nonstop party. By stealing a few pages from the Flaming Lips play book and spraying the crowd with confetti and letting fans party onstage, Gillis is the rare DJ that is as fun to watch as he is to listen to.

Soundtribe Sector 9 (Critical Mass tent, 11:15 p.m. – 1 a.m.)

The world of jam bands is an admittedly crowded and homogenous terrain, but STS9 manage to stand out by combining heavy electronic and psychedelic elements to the standard open-ended, improvisational fare. After withstanding two days and 24 hours of steady live music, zoning out and riding the STS9 wave may be the best way to end the festival.

Look for more Kanrocksas coverage next week on The Daily Record.

Keep reading:

10 Must-see bands at Kanrocksas (part 1 – Friday)

Review: Snoop Dogg with Hearts of Darkness

Review: Girl Talk

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