Review: Rodrigo y Gabriela

(Above: Rodrigo y Gabriela bring their main set at the Uptown Theater in Kansas City, Mo., to a joyous end with “Humana.”)

By Joel Francis
The Kansas City Star

About a third of the way through her set on Friday night, Gabriela Quintero explained her pact with the Uptown Theater crowd. She and Rodrigo Sanchez promised to play only acoustic guitars if the audience let the pair play whatever they wanted.

The audience in the crowded theater responded enthusiastically to almost everything thrown at it in the 100-minute set. The rapt attention the acoustic instrumental music commanded spoke to the pair’s skill and ingenuity.

The music was a mixture of Mexican, Irish, African, metal and folk, leading to another of Quintero’s maxims: They don’t label their music because then they’d be trapped playing to that label. With no classification, they can — and do — play anything.

Rodrigo y Gabriela started performing together in their native Mexico in the late ’90s. By the new millennium, the pair had relocated to Dublin and caught the eye of Damien Rice and David Gray. Their first album came out in 2002. In the dozen years since, they have released an album almost yearly, alternating studio material with live albums.

rygFriday’s performance touched on many of those albums and also previewed material slated for release next year. With no new album since 2012’s “Area 52,” Sanchez admitted there wasn’t really a reason for the duo to be touring. They just wanted to play.

While both guitarists are virtuosos, Quintero displayed an especially strong right hand. Viciously strumming without a pick, she summoned a plethora of textures and rhythms. Often treating her guitar like a percussive instrument, she was easily able to generate as much kick as a bass drum. Quintero’s skill with a wah pedal also added to her arsenal.

Against this backdrop, Sanchez showed amazing dexterity with his left hand, lacing songs with intricate riffs and solos. Sanchez also wasn’t shy about showing off his metal roots. He tossed Metallica riffs between songs a few times, and threw in some Megadeth for good measure. A full cover of Metallica’s “Orion” showed why the pair have earned the respect of their metal heroes. A right-turn cover of Daft Punk’s “Get Lucky” generated the biggest applause of the night.

The sound was immaculate. Both instruments were close mic’d, adding the squeak of fingers on the fretboards and sound of Sanchez’s pick hitting the strings to the mix. When inattentive fans started talking, the rest of the audience had no qualms about shutting them up.

Although their songs have no words, Sanchez and Quintero had no trouble keeping the crowd involved. At one point Sanchez had a three-part clap circulating around the theater. The two’s infectious energy — Quintero relished jumping around the stage — kept fans on their feet for most of the last half of the set.

Keep reading:

Review: Alejandro Escovedo

Review: Los Lobos

Making Movies is making waves

Setlist

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