Marvin Gaye and Kim Weston – “It Takes Two,” Pop # 14, R&B # 4
By Joel Francis
“It Takes Two” was one of the last songs Kim Weston recorded for Motown. Its success established Marvin Gaye as a capable duet partner. Gaye was already one of Motown’s bigger stars, but his brief pairing with Weston and subsequent success with Tammi Terrell helped earn Gaye the titles of “Prince of Motown” and “Prince of Soul.”
The coupling of Weston and Gaye was fairly obvious. Gaye had collaborated with Weston’s husband, William “Mickey” Stevenson on “Dancing in the Street,” “Stubborn Kind of Fellow” and “Pride and Joy.” As Stevenson’s romantic song came together, his two frequent collaborators came to mind.
On paper, this song should have been a miserable, schmaltzy failure. That it didn’t come off as corny and syrupy is a testament to the talents of Gaye, Weston and Stevenson (who also produced the cut).
His arrangement is responsible for removing most of the sappiness. The strings add a romantic touch without going too far and the horn line during the chorus keep the song swinging. Benny Benjamin’s drumming is the coup de grace, ensuring that the song will never be a slow dance number.
As great as Gaye and Weston are on this track, they are nearly upstaged by Otis Redding and Carla Thomas’ fabulous version released the same year on the essential “King and Queen” album. Lightning did not strike a third time, however, when Tina Turner and Rod Stewart trotted out their cover in 1990. The song went to No. 5 in the UK but mercifully did not chart in America. Bruce Springsteen frequently incorporates “It Takes Two” into his live versions of “Two Hearts.”