By Joel Francis
The Kansas City Star
Raphael Saadiq’s latest album, “The Way I See It,” is draped heavily in the sounds of Motown and Philly soul, but don’t call it a tribute album.
“Boyz II Men did a tribute; I wrote a bunch of songs,” Saadiq said about his all-originals album. “This was not intended to be a tribute album. It’s more like a secret love letter to the people I love.”
People like the Funk Brothers, Motown’s now-legendary stable of musicians, and the other unknown musicians who “took music to the level where it is today that I can come out and do this,” Saadiq said. “It’s not just about Smokey (Robinson) and Stevie Wonder, but a bunch of people we don’t even know about.”
He plays most of the instruments on the album himself, but Saadiq recruited two Funk Brothers to help him get that classic Motown sound. Jack Ashford’s tambourine has graced classics like “Nowhere to Run” and “You Can’t Hurry Love.” Paul Riser, who arranged the strings on Saadiq’s album, has worked with the Supremes, Marvin Gaye and Stevie Wonder.
“I brought Jack in because he added a sound I couldn’t have had without him,” said Saadiq, who performs Wednesday at the VooDoo Lounge. “With Paul Riser it was the same thing. You can feel the energy when they walk into a room.”
Having Stevie Wonder play harmonica on one song was ultimate validation. Saadiq even went so far as to introduce his guest like Wonder introduced Dizzy Gillespie on his 1982 hit “Do I Do.”
“Seeing Stevie walk into a room and play is something I’ve never gotten used to,” Saadiq said. “Having him play on this was a stamp of approval. I’ve worked hard for a long time to have him come play (on my album).”
The former Tony! Toni! Tone! singer, who named his first solo album “Instant Vintage,” is more worried about being called “neo soul” than being pigeonholed.
“Everybody knows I hate the term ‘neo-soul,’ ” Saadiq said. “If someone was playing the blues they’d want an old soul. I don’t want a new soul — then I’d sound like somebody on the radio today, which I hate.”
On an album with so much — ahem — old-school soul, Jay-Z’s guest spot on the final track, a bonus remix, probably surprised many listeners.
“That was Q-Tip’s idea,” said Saadiq, referring to the former MC of A Tribe Called Quest. “He was like, ‘You should put Jay-Z on this record’ and then went and got him, because I didn’t know Jay like that. Some people didn’t like it. They’re probably neo-soul fans. I did this for the other people.”