Shine on Rick Wright

Above: “Comfortably Numb” from the 1994 tour.

By Joel Francis

Seven a.m. Saturday morning, is a brutal time to be awake, particularly when you’re 16. It was even worse in the cold weather we faced that day, standing in line outside the Hy-Vee grocery store. But no one among the 300 or so of us lined up where complaining: Pink Floyd was coming to Kansas City.

It was the biggest crowd I’d seen at Hy-Vee. Guys were walking inside to buy six-packs of liquid warmth, passing cans along the line and relieving themselves against the wall. Elderly, crack-of-dawn shoppers paused in front of the assembly and asked if they could go right in. One old lady asked why we were all waiting in the cold. One guy responded we were hoping for a sale on melons. That drew a big laugh.

In the days before the Internet, you had to buy tickets in person. Although the gonzo days of camping out at the box office were long past, it still paid to show up somewhat early. At some point management would pass out line numbers to the assembly, then draw a number at random. The person holding that number was first and the line started from there. If you showed up after line numbers were distributed you (hopefully) got bad seats or heard those two dreaded words – sold out.

Finally our effort was rewarded. Upper deck, 40-yard line. Not the greatest seats, but we were in. The remaining tickets were long gone by dinnertime. Even though the band was playing Arrowhead Stadium, the largest venue in town, it was one of the fastest sell-outs in local history.

Winter gave way to spring and the excitement built. At long last the tour commenced at Joe Robbie Stadium in Miami. As the psychedelic trio snaked their way across America I was inadvertently trailing them. A church trip found us in Columbus, Ohio the night of the show. I remember the drunken revelry waking me in our motel room as the joyous throng returned. It was hard falling back asleep with that much energy flowing just outside the door. My summer job took me to Minnesota the day after the band played Minneapolis. Everywhere I went people were talking Pink. It was the summer of Floyd.

On June 20 the Pink Floyd descended on Kansas City. Our newspaper, The Star, ran a two-page chronicle of the band’s history. One fan interviewed for the story bragged about the line of dates he had tattooed on his arm – one for each time he’d seen the band. Some lucky, longtime fans had seen them play Kemper Arena on the Animals Tour in 1977. A lot more had seen them play Arrowhead just seven years earlier on the Delicate Sound of Thunder tour. I had never seen them before, but I didn’t care. I was getting to experience them now.

As the sun lowered over Interstate-70, Stadium Drive was gridlocked. People were openly smoking weed and drinking in their cars. They hopped out to take a leak behind trees and bushes in lawns along the way. One large bush was particularly popular, but when an overweight woman decided to use it about a dozen guys hurriedly scattered back to their vehicles.

There was a popular grocery store commercial where Arrowhead Stadium was transformed into a BBQ grill and smoke rose from the bowl as meat sizzled on its field. I imagine passing cars were treated to a similar spectacle as everyone inside lit whatever they brought to mellow out before the show. The band opened with “Astronomy Domine,” but thanks to The Star we already knew that. They didn’t do the complete “Dark Side of the Moon,” but we got several of its stronger tracks, including “The Great Gig in the Sky” and “Breathe.” Two vicious pigs emerged from the speaker towers during “One of These Days.”

The most powerful moment for me was “Comfortably Numb.” During “Numb” a huge mirror ball emerged from the soundboard and effects area near the back of the field. At the point where the song fades out on record, David Gilmour was just getting started. He laid into a ferocious solo as the mirror ball opened and slowly rotated. The 80,000-seat stadium was transformed into an intimate campfire as Gilmour, keyboard player Rick Wright, drummer Nick Mason and their accompanying musicians kept building and building. After what seemed like a rapturous eternity, the song thundered to an end and the band said left the stage. The encore set of “Hey You” and a searing version of “Run Like Hell” was a great coda to a spectacular evening.

Preserved for nearly 15 years, these memories came flooding back to me when I learned that Rick Wright lost his battle to cancer today. I saw Roger Waters on his solo tour at Kemper Arena in 1999 – he premiered the song “Each Small Candle” at our concert. I was surprised at how excited I got watching the quartet finally reunite on live TV in London just hours before the Get Up Kids final show at the Uptown Theater in 2005. Honestly, though, the Floyd haven’t been a major part of my listening diet for a long time. I guess the same thing that kept me away from their records for so long brought me closer to Rick Wright today – I can cue up any of his notes from any of their albums any time I want in my head.

Set list: (opening set) Astronomy Domine, Learning To Fly, Whad Do You Want From Me, On the Turning Away, Poles Apart, Take It Back, Sorrow, Keep Talking, One Of These Days //(second set) Shine On You Crazy Diamond, Breathe, Time, Breathe Rep, High Hopes, The Great Gig In the Sky, Wish You Were Here, Us and Them, Money, Another Brick in the Wall (part two), Comfortably Numb//(encores) Hey You, Run Like Hell

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2 thoughts on “Shine on Rick Wright

  1. I first heard (and saw) The Floyd in my church’s basement during a lock-in. A friend snuck in his older brother’s VHS copy of The Wall and we found an unlocked room with a TV combo to watch it on. I understood very little of what I was seeing, but I was mesmerized by the music. And, at the age of 12, so began my relationship with Pink Floyd.
    Ego seems to be a prevalent problem in the music biz and sadly, it’s probably destroyed a lot of creative collaborations that still had plenty of music to pass along to the listening public.
    Rick Wright didn’t let his ego get in the way of his talent. When Roger Waters fired him during the Wall studio sessions, Wright asked to stay on board so that he could finish the album and then the tour. Most professional musicians that had enjoyed the level of fame that Pink Floyd accrued after Dark Side of the Moon and Wish You Were Here would have trashed the recording studio after being sacked… but not Wright. Wright was a superb musician and a stand-up gent. His passing is sad – but his music… well, it’s amazing. And for that, Wright will always be celebrated.

    1. I can’t imagine your youth pastor being too proud of this moment, but it makes for a great story. I hope kids at lock-ins today are experience the same amount of “corruption” via Led Zeppelin, Floyd and Doors DVDs. Thanks for sharing, Chris.

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