(Above: Mule, meet Radiohead. Radiohead, Mule.)
By Joel Francis
The Kansas City Star
One fan’s T-shirt asked: “Got Mule?” And for the second time in three months, the answer was “yes.”
Nearly 12 weeks after playing to a packed Voodoo Lounge, Gov’t Mule played for another full house Wednesday night at the Granada in Lawrence.
The classic rock jam quartet opened with the dirty blues stomp of “Brand New Angel” before segueing into the wah-driven “Perfect Shelter.” The show didn’t really start, though, until the surprise cover of Jimi Hendrix’ “If 6 Was 9.” It was the first of many cover treats.
A raucous “Helter Skelter” bumped against a medley of Temple of the Dog’s “Hunger Strike” and Traffic’s “Dear Mr. Fantasy.” Earlier in the night, Radiohead’s “Creep” was followed by Led Zeppelin’s “Trampled Underfoot.”
There was just as much diversity in band’s original material. Propelled by Danny Lewis’ organ, the intro to “Larger Than Life” recalled Medeski, Martin and Wood. “Streamline Woman,” meanwhile sounded like Led Zeppelin lost in the Florida swamps. And all bets were off for the progressive rocker “Silent Scream,” which encompassed 20 minutes and a drum solo.
The band played a one-hour opening set, before taking a 20-minute break and coming back for another 90 minutes. During that time, most sets of eyes were trained on singer and guitarist Warren Haynes. Haynes also plays in the Allman Bros. and was hailed by Rolling Stone as one of the greatest guitarists of all time. His playing is impressive, but not flashy. It’s like he knows exactly where to put his fingers again and again and again.
Although Haynes took many noteworthy solos, the instrumental “Birth of the Mule” was his tour de force. The 10-minute number opened with Haynes’ delicate, fingerpicked slide playing. Starting like a gentle rain and building into a full storm, the song culminated in a heavy riff reminiscent of Black Sabbath before gliding back to the ground, light as a feather.
The middle-aged, mostly male Mule heads who knew exactly what they were getting into. Although the floor was too packed to dance, everyone seemed content to nod and sway in place.
The night closed with a pair of slide blues rave-ups. Hayes did a great job of replicating Muddy Waters’ early playing style on “Champagne and Reefer.” The tune paired so nicely with Hound Dog Taylor’s “Gonna Send You Back To Georgia” that the two were stretched for 20 minutes.
Setlist: Brand New Angel, Perfect Shelter, Streamline Woman, Larger Than Life ->If 6 Was 9 ->Larger Than Life, Get Out Of My Life, Birth of the Mule, Temporary Saint, Creep, Trampled Underfoot/Intermission/Patchwork Quilt, Helter Skelter, Hunger Strike->Dear Mr. Fantasy->Hunger Strike, Silent Scream->Drum Solo, Like Flies->Mule->I’ve Been Working->Mule/Encore/Champagne and Reefer, Gonna Send You Back To Georgia